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Suite Between Ebony And Ivory - Flexible Ensemble/Band
Partitions pour ensemble flexible, 5-voix + percussion optionnelle.
| Article no.: | BRFLMS87114 |
|---|---|
| Compositeur: | Hidetoshi Takumi |
| Niveau: | 4½ |
| Durée: | 5:00 |
| Editeur: | Brain Music |
| Format: | A4 21x29,7cm |
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Sous 1 jour ouvrableThe suite "Between Ebony and Ivory" is a story for young people serialized in the monthly Chopin piano magazine in 2018.
At a performance/narrative concert held in September, 2019. Kazuko Nakayama, the author, read the narration, and I performed a stylized piano duo (four hands) composed for the novel.
I rearranged the piano duo to a flexible work consisting of three short pieces.
I. Two ghosts and strange dance
II. Red Sun Duet
III. Fly ☆ Merry-go-round
The three movements may be performed with, or without pause.
I have re-orchestrated it to form various performing options, from solo/piano accompaniment to small band.
- When performing a flexible quintet and percussion, prioritize in order of part 8, 7, 6 and 9. Observe cue notes (in parenthesis} in part 8.
- When performing with five percussionists, do so with parts 6-9 with
Marimba performed by two percussionists on part 9. Roll on long notes.
Perform thoroughly including cued notes.
-Part 9 can also be performed on piano (organ/mallet percussion). It can be used to cover shortages on specific parts.
- Part 8 as solo and 9 as piano accompaniment can be performed as a duet.
The counterpart in the harmony and tremolo can be omitted.
Range can be adjusted by need to feature various solo instruments.
(Hidetoshi Takumi)
At a performance/narrative concert held in September, 2019. Kazuko Nakayama, the author, read the narration, and I performed a stylized piano duo (four hands) composed for the novel.
I rearranged the piano duo to a flexible work consisting of three short pieces.
I. Two ghosts and strange dance
II. Red Sun Duet
III. Fly ☆ Merry-go-round
The three movements may be performed with, or without pause.
I have re-orchestrated it to form various performing options, from solo/piano accompaniment to small band.
- When performing a flexible quintet and percussion, prioritize in order of part 8, 7, 6 and 9. Observe cue notes (in parenthesis} in part 8.
- When performing with five percussionists, do so with parts 6-9 with
Marimba performed by two percussionists on part 9. Roll on long notes.
Perform thoroughly including cued notes.
-Part 9 can also be performed on piano (organ/mallet percussion). It can be used to cover shortages on specific parts.
- Part 8 as solo and 9 as piano accompaniment can be performed as a duet.
The counterpart in the harmony and tremolo can be omitted.
Range can be adjusted by need to feature various solo instruments.
(Hidetoshi Takumi)
Flexible Band,FLMS-87114,FLMS-87114A,BRFLMS87114S,BRFLMS87114A
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