Nous utilisons des cookies pour améliorer votre expérience utilisateur. Pour se conformer à la nouvelle directive concernant la vie privée, nous devons vous demander votre consentement pour définir des cookies. En savoir plus.
<< Retour à l'aperçu
Das Land Des Lächelns Selections [Reduced Instrumentation]
Partitions pour orchestre d’harmonie.
| Article no.: | BRZYDALA08 |
|---|---|
| Compositeur: | Franz Lehár |
| Arrangeur: | Eiji Suzuki |
| Niveau: | 5 |
| Durée: | 8:00 |
| Editeur: | Brain Music |
Disponible dans ces catégories
À partir de
170,00 €
TTC
Disponibilité :
En stockExpédié :
Sous 1 jour ouvrable"The Land of Smiles," alongside "The Merry Widow," is one of Lehár's most popular works, a three-act operetta that premiered in Berlin in 1929. Based on a 2005 idea by Kazuhiko Tsuchiya (director of Tamagawa Academy Junior High School Wind Ensemble), this version for smaller ensembles was re-arranged in 2016. It features the selections "Overture," "The Chinese Ballet," "The Prophet Of The Blue Pagoda," "Chinese Wedding Procession," and "You Are My Heart's Delight," adapted for wind ensemble. Although not identical in structure to the original compositions, the arrangement closely matches the original music's image, apart from the added configurations and some counter-melodies.
The "Overture" at the beginning and "You Are My Heart's Delight" (from rehearsal number [N] onwards) are musically the most crucial parts of the piece. The faster sections should be played not with roughness or force but by emphasizing the musical color of each voice, enjoying the exotic flair. Think of the composition as a sort of "song sandwich," with exotic elements nestled between the opening and final songs.
For percussion, it is preferred to include all instruments if possible. However, if there are not enough performers, it is permissible to omit keyboard percussion instruments like Marimba and Vibraphone, which have parts similar to wind instruments. Solo instrument options, such as at the beginning, can be adjusted according to the specific circumstances of each ensemble, without strictly adhering to the score. It is possible to perform satisfactorily without a harp or piano.
(Eiji Suzuki)
The "Overture" at the beginning and "You Are My Heart's Delight" (from rehearsal number [N] onwards) are musically the most crucial parts of the piece. The faster sections should be played not with roughness or force but by emphasizing the musical color of each voice, enjoying the exotic flair. Think of the composition as a sort of "song sandwich," with exotic elements nestled between the opening and final songs.
For percussion, it is preferred to include all instruments if possible. However, if there are not enough performers, it is permissible to omit keyboard percussion instruments like Marimba and Vibraphone, which have parts similar to wind instruments. Solo instrument options, such as at the beginning, can be adjusted according to the specific circumstances of each ensemble, without strictly adhering to the score. It is possible to perform satisfactorily without a harp or piano.
(Eiji Suzuki)
Concert & Festival,Z-YDAL-A08S,Z-YDAL-A08A,BRZYDALA08S,BRZYDALA08A
Français
Nederlands
English
Deutsch