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Die Fledermaus [Reduced Instrumentation]
Partitions pour orchestre d’harmonie.
| Article no.: | BRZYDASC11 |
|---|---|
| Compositeur: | Johann Strauß Sohn |
| Arrangeur: | Eiji Suzuki |
| Niveau: | 5 |
| Durée: | 8:30 |
| Editeur: | Brain Music |
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Sous 1 jour ouvrableSelections from the Operetta
Written for Tamagawa Academy and Kazuhiko Tsuchiya in 2004 and re-arranged for a small instrumentation in 2017. This consists of songs freely selected from the original work (acts 1–3), with as few changes and additions as possible to the harmony and counter-melodies, and the arrangement is in line with the image of the original. There is no use of the famous "Overture". I often am asked why "Thunder and Lightning" is included. It is customary for operettas to cut or add music depending on the production, and I did so based on precedence. The work is in three parts: fast (beginning), slow (from [J]), and fast (from [M]). While the tempo is fairly consistent up letter [J], work a gradual allargando to enter [J] naturally (for example, there is no rit. after [E]). Of course, agogics that follow the original work are effective, but be careful not to lose the sense of composition. For percussion instruments, except for the part [O] that imitates "Thunder and Lightning", there is a risk that harmony and band tone will be covered, especially if it is a small group, so please balance carefully.
(Eiji Suzuki)
This piece can be performed by as little as under 35 people.
Written for Tamagawa Academy and Kazuhiko Tsuchiya in 2004 and re-arranged for a small instrumentation in 2017. This consists of songs freely selected from the original work (acts 1–3), with as few changes and additions as possible to the harmony and counter-melodies, and the arrangement is in line with the image of the original. There is no use of the famous "Overture". I often am asked why "Thunder and Lightning" is included. It is customary for operettas to cut or add music depending on the production, and I did so based on precedence. The work is in three parts: fast (beginning), slow (from [J]), and fast (from [M]). While the tempo is fairly consistent up letter [J], work a gradual allargando to enter [J] naturally (for example, there is no rit. after [E]). Of course, agogics that follow the original work are effective, but be careful not to lose the sense of composition. For percussion instruments, except for the part [O] that imitates "Thunder and Lightning", there is a risk that harmony and band tone will be covered, especially if it is a small group, so please balance carefully.
(Eiji Suzuki)
This piece can be performed by as little as under 35 people.
Concert & Festival,Wind Ensemble Limited (under 35) series,Z-YDAS-C11S,Z-YDAS-C11A,BRZYDASC11S,BRZYDASC11A
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