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SÉLECTION DE PLUS DE 10.000 TITRES<< Retour à l'aperçu
Father Of The Universe
Partitions pour orchestre d’harmonie.
| Article no.: | BRZYDOKJ11 |
|---|---|
| Compositeur: | Hiroaki Kataoka |
| Niveau: | 5 |
| Durée: | 8:45 |
| Editeur: | Brain Music |
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Sous 1 jour ouvrableAmenominakanushi
Amenominakanushi, the deity involved in the creation of heaven and earth, is believed to have been the first to appear in Takamagahara (the Plain of High Heaven) and is also referred to as a solitary deity (hitorigami) due to the absence of a specific gender. My fascination with expressing Japanese mythology through wind music was sparked by my previous work, "Sea Goddess." Japanese mythology serves as a catalyst that stirs the imagination and boosts creative desire.
The cornerstone of this piece is the dotted rhythm of the chappa (a type of cymbal). Based on this, the music is structured and orchestrated with care to create a three-dimensional sound. Efforts were made to achieve a thick resonance reminiscent of a pipe organ and use of percussion to create a sense of color throughout the composition.
While "Torino Ishinokobune no Kami" incorporated elements of jazz and pop on a foundation of Japanese taste, "Father of the Universe" fully embraces traditional Japanese style. Personally, I view it as a sequel to "Torino Ishinokobune no Kami." This piece allows for the individuality of the performing ensemble to shine, engaging students, community bands, and professional musicians alike.
The premiere performance by Shiei Junior High School was dynamic and dramatic, while Niigata Meikun High School delivered an emotionally stirring performance with a heartfelt approach. This piece is packed with dynamism, mood, momentum, and rhythmic interest!
(Hiroaki Kataoka)
Amenominakanushi, the deity involved in the creation of heaven and earth, is believed to have been the first to appear in Takamagahara (the Plain of High Heaven) and is also referred to as a solitary deity (hitorigami) due to the absence of a specific gender. My fascination with expressing Japanese mythology through wind music was sparked by my previous work, "Sea Goddess." Japanese mythology serves as a catalyst that stirs the imagination and boosts creative desire.
The cornerstone of this piece is the dotted rhythm of the chappa (a type of cymbal). Based on this, the music is structured and orchestrated with care to create a three-dimensional sound. Efforts were made to achieve a thick resonance reminiscent of a pipe organ and use of percussion to create a sense of color throughout the composition.
While "Torino Ishinokobune no Kami" incorporated elements of jazz and pop on a foundation of Japanese taste, "Father of the Universe" fully embraces traditional Japanese style. Personally, I view it as a sequel to "Torino Ishinokobune no Kami." This piece allows for the individuality of the performing ensemble to shine, engaging students, community bands, and professional musicians alike.
The premiere performance by Shiei Junior High School was dynamic and dramatic, while Niigata Meikun High School delivered an emotionally stirring performance with a heartfelt approach. This piece is packed with dynamism, mood, momentum, and rhythmic interest!
(Hiroaki Kataoka)
Concert & Festival,Z-YDOK-J11S,Z-YDOK-J11A,BRZYDOKJ11S,BRZYDOKJ11A