Nous utilisons des cookies pour améliorer votre expérience utilisateur. Pour se conformer à la nouvelle directive concernant la vie privée, nous devons vous demander votre consentement pour définir des cookies. En savoir plus.
Français
Nederlands 
English 
Deutsch 
SÉLECTION DE PLUS DE 10.000 TITRES<< Retour à l'aperçu
Nami No Ho
Partitions pour orchestre d’harmonie.
| Article no.: | BRZYDONA05 |
|---|---|
| Compositeur: | Jun Nagao |
| Niveau: | 5 |
| Durée: | 16:50 |
| Editeur: | Brain Music |
Sample(s):
Disponible dans ces catégories
À partir de
250,00 €
TTC
Disponibilité :
En stockExpédié :
Sous 1 jour ouvrableThis piece was born from the wintry sea where snow dances and the wind and waves rage. It captures such a scene that one cannot help but feel the harshness.
However, the main focus is not on depicting this severity. It expresses the wish that winter will eventually lead to abundant harvests. Life is nurtured precisely because of the harsh winter. The "ears of waves" shattered by the wind and spray become waves of ears of grain, swaying in the wind through the seasons. This piece portrays winter as a premonition of fertility, depicted as an omnipresent landscape.
Especially in these times when material things are abundant, but there is a lingering sense of coldness in our hearts. I hope that the new century will be one where strong life, nurtured by hardship, thrives and we regain a rich sense of humanity. This is the wish embedded in the piece.
As a side note, the "SO-SO-MI" used several times in the piece is due to its similarity to the sound of "TO-TO-MI", the old name of the region to which the commissioning organization belongs.
Commissioned by Yamaha Symphonic Band in 2000.
(Jun Nagao)
However, the main focus is not on depicting this severity. It expresses the wish that winter will eventually lead to abundant harvests. Life is nurtured precisely because of the harsh winter. The "ears of waves" shattered by the wind and spray become waves of ears of grain, swaying in the wind through the seasons. This piece portrays winter as a premonition of fertility, depicted as an omnipresent landscape.
Especially in these times when material things are abundant, but there is a lingering sense of coldness in our hearts. I hope that the new century will be one where strong life, nurtured by hardship, thrives and we regain a rich sense of humanity. This is the wish embedded in the piece.
As a side note, the "SO-SO-MI" used several times in the piece is due to its similarity to the sound of "TO-TO-MI", the old name of the region to which the commissioning organization belongs.
Commissioned by Yamaha Symphonic Band in 2000.
(Jun Nagao)
Concert & Festival,Z-YDON-A05S,Z-YDON-A05A,BRZYDONA05S,BRZYDONA05A