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SÉLECTION DE PLUS DE 10.000 TITRES<< Retour à l'aperçu
Rhapsodia Appassionata
Partitions pour orchestre d’harmonie.
| Article no.: | BRZYDONG04 |
|---|---|
| Compositeur: | Nozomu Noro |
| Niveau: | 3 |
| Durée: | 7:30 |
| Editeur: | Brain Music |
Sample(s):
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Sous 1 jour ouvrableComissioned in 2022 for Shinonome Junior High School Wind Ensemble in Noshiro City, Akita Prefecture, for ensemble. In 2024, a wind band version was arranged, allowing for performance with a minimum of 19 players.
The piece begins with a melancholic yet beautiful E minor harmony, with the main theme presented by solo alto saxophone. A key point here is to avoid overly expressive phrasing. The climax of the first half, where the tempo increases, briefly modulates to E major, bringing a striking change in color and tonal character. This section should be performed with great attention to detail.
After a transitional section that shifts the atmosphere from sorrow to hope, the latter half builds towards a passionate climax. Players are encouraged to focus on the melody and sing together through the bass lines, counter-melodies, and percussion, creating a unified musical expression.
[About 2nd Percussion: Suspended Cymbal]
In measure 5, [opt. Sus. Cym.*] should be played if 3rd Percussion Crash Cymbals ]is absent, if possible.
In measure 90, [opt. Sus. Cym.**] is intended to reinforce the 1st Percussion [Snare Drum ] and should be played if possible.
In measure 168, [Sus. Cym.***] should be chosen if 3rd Percussion [Crash Cymbals] is absent; otherwise, select the Bass Drum.
The piece begins with a melancholic yet beautiful E minor harmony, with the main theme presented by solo alto saxophone. A key point here is to avoid overly expressive phrasing. The climax of the first half, where the tempo increases, briefly modulates to E major, bringing a striking change in color and tonal character. This section should be performed with great attention to detail.
After a transitional section that shifts the atmosphere from sorrow to hope, the latter half builds towards a passionate climax. Players are encouraged to focus on the melody and sing together through the bass lines, counter-melodies, and percussion, creating a unified musical expression.
[About 2nd Percussion: Suspended Cymbal]
In measure 5, [opt. Sus. Cym.*] should be played if 3rd Percussion Crash Cymbals ]is absent, if possible.
In measure 90, [opt. Sus. Cym.**] is intended to reinforce the 1st Percussion [Snare Drum ] and should be played if possible.
In measure 168, [Sus. Cym.***] should be chosen if 3rd Percussion [Crash Cymbals] is absent; otherwise, select the Bass Drum.
Concert & Festival,Z-YDON-G04S,Z-YDON-G04A,BRZYDONG04S,BRZYDONG04A