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The Tragedy Of Pyotr

Partitions pour orchestre d’harmonie.
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Article no.: BRZYDOMF14
Compositeur: Tomohito Matsushita
Niveau: 5
Durée: 9:00
Editeur: Brain Music

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This piece was commissioned for the 43rd Annual Concert of the Gral Wind Orchestra. During initial discussions

about the commission, I was asked to create a work based on Tchaikovsky's Symphony No. 6 in B Minor,

"Pathétique". However, translating such a monumental work into an original composition proved to be quite

challenging. Upon further research into Tchaikovsky's life, I was struck by the fact that Symphony No. 6,

premiered in 1893, was followed by the composer's sudden death only nine days later. While the cause of his

death remains a topic of speculation, I became inspired to explore the tumultuous nature of Tchaikovsky's

life-particularly his final moments-through music.

The opening conveys a sense of urgency, evoking images of a harsh Russian winter and profound loneliness.

This is soon followed by a tense theme built upon motifs from the first movement of Tchaikovsky's Symphony

No. 6. Later, a bright and dynamic section emerges, featuring the fanfare-like theme from the opening of

Symphony No. 4 in F Minor, introducing a moment of celebration. The mood then shifts, presenting the famous

second-movement theme from Symphony No. 5 in E Minor. This theme, with its blend of tenderness and

passion, portrays the essence of love in both its softness and fervor.

The latter half of the piece transitions into more dramatic and suspenseful music, symbolizing Tchaikovsky's

triumphs and eventual demise. While crafting this work, I kept in mind the beauty of Tchaikovsky's melodic

writing, which is one of his most defining traits. Additionally, I incorporated harmonies that he frequently

employed, adding a layer of homage to his distinct musical language.

Tchaikovsky's life was marked by both glory and profound struggle. Through this piece, I hoped to capture not

only the brilliance of his achievements but also the depths of his despair and hardships.

I am deeply grateful to Mr. Seiji Sagawa and the Gral Wind Orchestra for commissioning this work. Their trust

and collaboration made this composition possible, and I offer my heartfelt thanks to everyone involved.